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«Teen Dream»: La música onírica que acompaña los sueños rotos de Beach House

Un 26 de enero del 2010, Beach House lanza su tercer álbum de estudio llamado Teen Dream (2010). Fue el primer disco que hicieron bajo el sello discográfico Sub Pop, mismo que fue producido por la banda y por Chris Coady quien fue el encargado de darle un equilibrio al ímpetu creativo de Victoria Legrand y Alex Scally. ‘Teen Dream’ fue grabado en el estudio Dreamland Recording Studios ubicado en Nueva York en lo que alguna vez fue una iglesia, así de celestial puede sonar este disco.

Para Beach House la crítica siempre ha sido un tema favorable después de algún trabajo final. Teen Dream (2010), fue aclamado por la crítica como uno de los mejores álbumes del 2010, compitiendo a la par con discos de artistas como Arcade Fire, The National, Vampire Weekend, Gorillaz. En 2013 NME colocó a Teen Dream (2010) en el puesto 97 de los mejores 500 álbumes de todos los tiempos, de igual forma fue incluido en el 2014 en el libro 1001 álbumes que debes escuchar antes de morir, y por último Pitchfork lo colocó en el 2019 en la posición 21 entre los mejores álbumes de la década del 2010.

Beach House - Wikipedia, la enciclopedia libre

¿Qué hay detrás de Teen Dream?

Teen Dream (2010) fue grabado después de la extensa gira de Devotion (2008), su álbum antecesor. Mientras se encontraban en gira, Legrand manifestó «acumulamos mucha energía e ideas que no podíamos esperar a volver a casa para comenzar a trabajar en el próximo disco». Por otro lado Scally en su momento mencionó lo costoso que fue grabar dicho álbum: «El poco de dinero que obtuvimos, lo gastamos. La grabación fue increíblemente cara». Nada fue obstáculo para que la banda originaria de Baltimore pudiera llevar a cabo la realización de su tercer álbum, un trabajo que terminó por definir el sonido característico de la banda y que sobre todo dejó claras las grandes capacidades artísticas de Legrand y Scally.

Teen Dream (2010), desde su título, anticipa el rompimiento de las expectativas de aquella juventud prometida por la que en algún momento nos ilusionamos. Desolación personal donde aquel amor que sentíamos hacía personas, lugares o momentos son despedazados sin que podamos hacer algo al respecto. Musicalmente Beach House experimentó en este disco un crecimiento técnico donde en lugar de utilizar cajas de ritmos utilizaron baterías reales, dándole así mayor fuerza a toda la atmósfera que son capaces de crear canción tras canción. Un disco que tuvo la capacidad de cimentar una nueva era dentro del dream-pop y el shoegaze.

How to get into the sold out Beach House show

Las entrañas de un viaje introspectivo

En su momento la BBC declaró que «el sonido más inconfundible de Teen Dream (2010) es el de una banda que realmente encuentra su propia voz». ¿Será una señal de que todos en algún momento, nos encontramos con nosotros mismos? Una colección de 10 canciones que da inicio con «Zebra«, un acorde amable que nos da la bienvenida a este viaje llamado Teen Dream (2010). Posteriormente con un intro de sonidos naturales, llega «Silver Soul«, una agitada balada que puede sonar familiar a los inicios de la banda pero ahora con una carga emocional mayor que nos hace cantar incesantemente «It is happening again, It is happening again, It is happening again, oh, oh».

La secuencia propia del disco canción tras canción es otro elemento a destacar dentro de material, algo que se aprecia claramente en el cambio de «Silver Soul» a «Norway«, una canción de toque dulce que va evolucionando y es en el minuto 2 con 40, cuando el cierre se vuelve apasionante hasta llegar a «millions of stars, they open to your breath». «Walk In The Park» posee un riff frenético en cada suspiro de Victoria Legrand, una canción que le aporta elegancia al álbum en una forma desgarradora, dicha canción es un viaje dentro de un camino espeso que se hace con el objetivo de olvidar a alguien que ya no está, pero que deja la puerta entreabierta.

La mitad del álbum es protagonizada por una categórica y majestuosa canción que va en constante crecimiento mientras va avanzando. «Used To Be» es un corte frenético y desgarrador, con un mensaje sumamente nostálgico, el punto más álgido donde la música onírica realmente hace su aparición y nos muestra aquellos días felices que difícilmente volverán. Es el momento donde se canta con un nudo en la garganta «Could you feel the fright of an age that was and could never be?, So we hold it close when we feel the most, Like a love that we could not leave behind». Dicha canción fue el primer single promocional del disco.

El Lado B de Beach House | Sin Documentos

Un viaje que define momentos sonoros y emocionales

La historia y el viaje de Teen Dream (2010) continua con «Lover Of Mine» una canción que experimenta una ejecución instrumental fenomenal, tan cuidadosa y tan brillante en cada uno de sus sonidos, y que casi al final de la canción nos lleva por un túnel de dudas sin respuestas. Cómo saber tantas cosas de la vida: ¿Yo decido? ¿Tú decides? ¿Quién decide? ¿Por qué los caminos de la vida son tan complejos? Después de experimentar tanto espiral, llega «Better Times» que parece sostenernos la mano y darnos una palmada en la espalda.

«10 Mile Stereo«, es una canción llena de calidad al momento de definir los momentos sonoros de la misma. Cambiando sus compases de apertura por un contundente despegue que nos lleva a un punto apresurado y ruidoso, para aterrizar de nuevo en la calma, una expresión auténtica de shoegaze por parte de Beach House. Y retomando la calma, la llegada complementaria perfecta en su ensamble es con «Real Love» y ese piano que parece abrazarnos en cada nota. Hay dolor en esas líneas que por sí fuera poco, la extraordinaria voz de Victoria Legrand, ronca y agrietada se hacen más poderosas.

El fin del viaje de Teen Dream (2010) ha llegado, hemos abordado a la última estación, llamada «Take Care«. Vaya despedida. Después de tantos altibajos la nobleza que emana y sale de la voz de Victoria Legrand finalmente nos ayuda a tener un aterrizaje seguro y reconfortante con «I’ll take care of you, take care of you, That’s true, I’ll take care of you, take care of you, That’s true».

Beach House, el grupo que no quería crecer | Tentaciones | EL PAÍS

Teen Dream (2010) es un espacio sonoro donde las lágrimas se vuelven a encontrar con el océano, donde la soledad puede ser fuertemente introspectiva y que nos invita a la real reflexión desde nuestro propio inconsciente hasta llegar a la conciencia. Es aquí donde la nostalgia, la incertidumbre, el abandono y la soledad son el eje principal de nuestro universo, entendidos de una categórica manera por Beach House, a través de un álbum que dice justo lo que queremos escuchar, y que nos hace sentir justo lo que queremos vivir.

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  85. Honestly enjoyed every minute spent here, that is not something I say lightly, and a look at buildsustainableprogress confirmed I will be back, the bar for spending time online is high for me these days but this site clears it without effort which is high praise indeed from this reader who is usually rather demanding.

  86. Probably the kind of site that should be more widely read than it appears to be, and a look at bulkingbayou reinforced that quiet wish, the gap between a sites quality and its apparent reach is sometimes large and that gap exists for this site in a way that makes me want to mention it more.

  87. Came in confused about the topic and left with a much firmer grasp on it, and after jebbird I felt I could explain this to someone else without hesitation, that is the gold standard for any educational content and most sites simply fail to reach it ever which is unfortunate but true.

  88. Liked the post enough to read it twice and the second read found new things, and a stop at learnandscale similarly rewarded the second look, content with hidden depths that only reveal themselves on careful rereading is the rare kind that earns lasting respect rather than fleeting first impressions only briefly held.

  89. Reading this in my last reading slot of the day was a good way to end, and a stop at buildsustainablemomentum provided a satisfying close to the reading session, content that ends a day well rather than agitating it before sleep is the kind I value increasingly and this site fits that role for me consistently now.

  90. If you scroll past this site without looking carefully you will miss something, and a stop at exploreideaswithpurpose extended that mild warning, the surface of the site does not advertise its quality loudly which means careful attention is required to recognise what is being offered here which is itself a kind of editorial signal.

  91. A piece that exhibited the kind of patience that good writing requires, and a look at buildsmartdirection continued that patient quality, hurried writing is easy to spot and this site reads as having been written without time pressure which produces a different feel than the rushed content that dominates much of the modern blog space.

  92. Reading this gave me a small mental break from the heavier reading I had been doing, and a stop at explorefreshgrowthideas extended that lighter feel, content that provides relief without becoming trivial is harder to produce than people realise and this site has clearly figured out how to be light without being shallow at all.

  93. Reading this in the gap between work projects was a small but meaningful break, and a stop at startthinkingclearly extended that gentle reset, content that provides genuine refreshment rather than just distraction during work breaks is content with a particular kind of utility and this site fits that role for me reliably during work days.

  94. Genuine pleasure to read, and that is not something I say often after a casual click through, and a quick visit to hurbug kept the same feeling going across the rest of the site, finding writing that actually feels good to spend time with rather than just functional is increasingly rare on the open web.

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